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results 61-80 of 400 item(s)  page 4 of 20 : ( <<  1  2  3  4  5  6  7  8  9  10  >> ) :: previous : next
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 Image: Title: Description:

61. [Bookplate for Vancouver Medical Association] [Bookplate for Vancouver Medical Association] Black ink on cream paper. Text is surrounded by a simple double border. Donor information is typewritten.

62. [Bookplate for Vancouver Medical Association] [Bookplate for Vancouver Medical Association] Black ink on cream paper. Simple double border surrounds text and image of a serpent coiled around a staff with laurels at its base.

63. [Bookplate for Vancouver Medical Association] [Bookplate for Vancouver Medical Association] Black ink on white paper. Text is surrounded by a simple double border. Donor information is typewritten.

64. [Bookplate for University of Florida Library] [Bookplate for University of Florida Library] Black ink on white paper. Narrow double border surrounds text and cameo-style portrait.

65. [Bookplate for University of British Columbia and Michael B. Kunze] [Bookplate for University of British Columbia and Michael B. Kunze] Black ink on white paper. Double border surrounds text and university shield which is positioned on the left hand side of the plate.

66. [Bookplate for University of British Columbia and Alice Ravenhill] [Bookplate for University of British Columbia and Alice Ravenhill] Black ink on white paper. The bookplate features a border consisting of several black lines with X designs in the corners. There is the University of British Columbia crest. The chief has a dark background and features an open book with its straps lying out. The university motto is printed in stylized black font on the book’s open pages. The bottom section of the map was alternating black and white lines. From the bottom of the shield is part of a sun with its rays extending upwards. The sun is charged with black dots. To the right of the shield is stylized gothic text in large, black font. Below it is text printed in smaller, cursive, black font. At the bottom of the bookplate is smaller text printed in the gothic, black font with dotted lines next to the words.

67. [Bookplate for Union des Commis-Marchands] [Bookplate for Union des Commis-Marchands] Text is printed in a numbered list, surrounded by a line border resembling chain.

68. [Bookplate for Thomas Murray Esq., University of Toronto Library, and Champlain Society] [Bookplate for Thomas Murray Esq., University of Toronto Library, and Champlain Society] Black ink on white paper. Text is surrounded by a thin black border. There is a line of gothic, black font, below which is smaller, capitalized, sans serif font. Two thin black lines separate that text from more lines of black text, some of which is typewritten. Below one thin black lines is smaller, serif, black text.

69. [Bookplate for Stephen W. Borden by Carol Ann Borden] [Bookplate for Stephen W. Borden by Carol Ann Borden] Pictorial bookplate. Portrays a landscape with tree, grass and flowers.

70. [Bookplate for Stanley Harrod] [Bookplate for Stanley Harrod] Black ink on cream paper. The bookplate features an elaborate border. A thin black line outlines a thick black and white design featuring repeating white floral motifs in diamond shapes on a black background. A thin white border separates the border from the internal image. The image features a monk writing at a desk. The monk is in white clothes and the wooden desk and chair are black. The desk has a special stand for writing. Above the monk to the left is a window with the shutters open, showing several buildings, one of which is a tall tower, outside. There are trees amongst the buildings and a large fluffy cloud behind the tower. Inside the room, directly above the monk, are several bookshelves attached to the wall. There is some pottery on the top shelf and three rows of books, spines facing out, below. To the top right of the monk is another window with the shutters closed. The shutters appear wooden with round circles cut out of them. The walls and floors of the room are also wooden. On the floor to the right of the desk is a closed book. Below this image, surrounded by a thin white border, is a white rectangle with capitalized, black, serif font printed in it. The words are separated by centered black dots. Between this rectangle and the larger overall border are white, curling ribbons.

71. [Bookplate for Stanley Harrod] [Bookplate for Stanley Harrod] Sepia ink on cream paper. A sketched front of a sailboat with three large sails is at the top of the image. Ribbons swirls around the ship’s sails as if in the wind. The sailboat is emerging from a cloud-like section that extends out into other images. A rounded horizontal oval shape with large, round extensions at the top left and top right corners surround the other image. There is a thick, round border surrounding the shape. On the left side, a naked woman is leaning backwards onto a mythical creature with a human-like fish head and a coiling snake body. The creature is lying on the border, with wide eyes looking at the back of the woman. The woman was long hair in a ponytail and is looking downwards. Her right arm extends backwards towards the creature and, similarly, her right knee is bent. Her left leg extends out to stand on part of the border. Behind her left foot, a piece of seaweed like foliage drapes off of the border. In the upper right hand corner are two naked women. One is holding onto the upper part of the border and looks down onto the other woman, who is reclining on the border. The woman on top appears to be a mythical creature with long, footless legs that twirl around the other woman and border. The woman has her hair in a ponytail. The woman on the bottom has darker hair and has her left knee bent, her right arm lying on the leg of the other woman, and her left arm raised in potential defense against the other woman. In the middle of the shape is a head portrait of Leonardo da Vinci as an old man. He is bald on top with long white hair and a long white beard. Underneath his beard, the name Leonardo is written in fine, sentence case cursive. Extending from behind Leonardo’s beard are paint brushes and other artist’s tools, crisscrossed. Below the image is a small circle, text written in larger, sentence case cursive, another small circle, and more text in the same font.

72. [Bookplate for Stanley Harrod by S. Harrod] [Bookplate for Stanley Harrod by S. Harrod] Black ink on white paper. The bookplate image is surrounded by a border consisting of wide ribbons at the top and bottom wrapped around twisted rope on the left and right sides. The rope ends are knotted with three beaded and then frayed ends extending on each end of the rope. The top ribbon has printed, black, stylized gothic font in sentence case. Some text is separated by clusters of four diamonds. Inside the border is an image depicting a frigate with two masts and large sails billowing in the wind. Ribbons extend form the top of the sails. A smaller sail on a smaller mast is at the front of the ship. The ship is in an ocean with several waves. The bottom ribbon is more elaborated curling than the top ribbon. It has printed, black, stylized font in sentence case, but is smaller in size. Below the ribbon to the left and right is thin, sans-serif, capitalized font.

73. [Bookplate for Stanley C. Bagg] [Bookplate for Stanley C. Bagg] This bookplate consists of black gothic text surrounded by an elaborate border, all printed on yellow paper.

74. [Bookplate for St. Catherine Street Baptist Church] [Bookplate for St. Catherine Street Baptist Church] An ornate border surrounds the text, printed in black ink on pink paper.

75. [Bookplate for Spencer Walpole] [Bookplate for Spencer Walpole] This bookplate consists of an escutcheon, or (gold), with a fess sable (black), charged with three cross crosslets, or. Top and bottom sections are charged with a chevron, sable. Entire shield is placed within a circle, with bookplate owner's name circling at the border.

76. [Bookplate for Sir Charles Cockerell] [Bookplate for Sir Charles Cockerell] Armorial bookplate. The shield is divided in half to show the arms of both the husband and wife. The left shield, representing the husband, is divided into six sections two of which portray roosters, between which is a face surrounded by leaves. Above the top rooster is a crescent signifying the second son. The middle section is argent (silver or white) with two chevrons. The top chevron is adorned with three flowers and at the top and bottom of the chevron are three eagle heads ; the bottom chevron is adorned with three roundlets and above and below the chevron are three flowers or leaves. Between the chevrons and at the centre of the six sections is a small shield with a left hand facing palm-out. The top right corner shows two lion heads and a bend adorned with three fleur-de-lis. On the bottom left corner is a lion. The second shield shows two lions passant guardant on a black background with an or border. Above the shield is a wreathed helm facing forward with a raised visor therein signifying barony or knighthood. Above the helm is a crescent and crowned tiger head. On both sides of the shield are angelic supporters each carrying a flag staff (adorned with the sun and crescent moon) as well as palm/laurel fronds (on which birds are perched). The figures are adorned in robes decorated with fleur-de-lis and their chests are imprinted with crosses.

77. [Bookplate for Sir Arthur Robinson] [Bookplate for Sir Arthur Robinson] Heraldic bookplate. An argent lozenge shaped shield with an argent chevron and three stags. At the top of the shield is an open helmet facing forward (signifying a knight) on top of which is a crown and a fourth stag. Around the border of the shield is the motto for the Knight Commander of the Most Distinguished Order of St Michael and St George, "auspicium melioris aevi" (token of a better age). Above the shield is a ribbon with the motto "qualis ab incepto" (the same as from the beginning). The badge of the order, which is a cross of fourteen points, is suspended from the bottom of the shield.

78. [Bookplate for Rufus Hawtin Hathaway by J. E. MacDonald] [Bookplate for Rufus Hawtin Hathaway by J. E. MacDonald] Printed in black ink on cream-coloured paper. An interior scene depicts a robed and tonsured monk sitting in a study room. The monk is seated with his head resting in his right hand on the far side of a lectern that holds three open, vellum-bound manuscripts. Behind the monk, an open wooden cupboard is topped by a niche shelf with many closed, bound vellum manuscripts and a human skull. To the far left, there is a recessed bench seat at a diamond paned window containing several objects, including a crucifix, an hour glass, and another manuscript. The entire scene is framed by a border that contains the owner’s name and motto, as well as decorative vine-leaf scrollwork.

79. [Bookplate for Roxie Jayne Gebhardt] [Bookplate for Roxie Jayne Gebhardt] Black ink on cream colored paper with an adhesive backing. A fine-line drawing of a tall ship at sea, with all sails unfurled and a British flag (Union Jack) flown as ensign at the stern. The ship sails on choppy waters. To the left, there is an outline of two clouds and three birds in the sky, along with a silhouette of another ship in the distance on the water. The entire drawing is framed by a black, thin-line border with no additional decorative detail.

80. [Bookplate for Roswell Goldie] [Bookplate for Roswell Goldie] Black ink on grey paper. A border composed of small circles houses the name and town of the bookplate owner. The words are in Germanic lettering.
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results 61-80 of 400 item(s)  page 4 of 20 : ( <<  1  2  3  4  5  6  7  8  9  10  >> ) :: previous : next
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